Board Thread:General Discussion/@comment-24299835-20150220105227/@comment-27370337-20160102233404

.....I see what you mean...you know there things about movie music we don't know...example: music plays a pivotel role to a movies success, althought its not easy, there is a painstaking process, mean any compendium hit song are often showcased, highlighting the callaboration between the director, composer, and music supervisor, since soundtracks are considered companion pieces to films they have to generate enough awareness and conversation...it is also good marketing...I might be off subject, but's that's how it works, only the first step involves setting a schedule for release after getting a label deal at least three months prior of films release date...once's a label identified, negotiations begin, referring to how upfront fees are given from label to studio (literally, advance on future royalties). No one knows this factor. Readyng it is typically a straigh forward process...the composer and the director will choose and sequence which pieces from the film they want...what could be next? Coordination...both score and songs require featuring combinations of tally, original songs written for the film, which are pre-existing tracks lincensed for the film, and new versions of existing songs re-recorded for the film...certain, maybe nearly all films in theatre, based on book, play, tv show, video game have gone through this process...I could be wrong too...anyway, I'd really like it if Danny Elfman, Daft Punk, Hans Zimmer, Steve Jablosky, or Robert Rodriguez, as well the Mission Impossible composer (forgot his name) to construct a film like this, probably even give it a remix of/to Greenhill Zone bringing back memories on where the game stood in 1991, specifically us, who growed up along side the spike blue dude...